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"20 hits greedy youth", Xiaolu Guo.

"People say that it is easier to heal the wounds of the body than the heart. Nonsense. This is exactly the opposite - that the body heals damaged skin longer. The wounded heart is nothing but the ashes of memories (... ) The wounds of the body can say when, for example, you're with someone for three years, then walk away, but at night, in bed, lie down on one side, as if after that someone was lying still. This is the dawn of the body. The habit, which punishes you leave a place for someone who is not there. "
Xiaolu Guo's" 20 Views greedy youth ", ed. Albatros A. Kurylowicz, Warsaw 2010, p. 138

Rzekłabym that" 20 Views greedy youth "has a title perfectly rendering this book. Twenty short tales about the next event in the life Fenfang, who fled from his native village, like other small villages do not even denoted on maps of China, and installed in Beijing. Exactly, another hits the Fenfang in the lead role, has the same title should reflect the atmosphere of these images, for example, "Fenfang goes to the pool, but does not fall into the water."

I would not expect that a book with this cover and title, the book of a woman who deals with more scripts, the book, which at first glance, fixated as Nora Ephron's prose, so will fall to my liking. A swallowed "20 hits greedy youth" in one day and smiled at the end. Xiaolu Guo has not gone on the last pages the easy solution to all threads, which lingers on Fenfang and winding them on bobbin nice "happy ending".

And if someone asked, "but what is it?" - I do not like these questions - you could answer such a young girl in China. Or, fragments of adolescence to adulthood. Or the loneliness in the big city. Or ... Xiaolu Guo

said very calmly, in simple language in short sentences can include really beautiful pieces reality. Maybe I could compare it to Baricco? Although Xiaolu Guo is much more concrete in their sentences. Faster. Less poetic. In determining the "beautiful" pictures, which he describes, I mean the most ordinary of everyday life under the sun. But I cut the fish in the market at five o'clock in the morning, the frost, the precise movements of the knife, the quiet murmur of the awakening, it was opisałabym as "beautiful." I think too often, I throw this "beauty" to the right and left.

course I have no doubt that the joy of reading was due in large part to the similarity to the Fenfang (only contractual) of our age, our loss. Though perhaps neither I nor Fenfang are not specifically lost in a natural way, rather, like everyone.

was in my mind this book was in the pictures. In the foreground drawer Mao, broken glass and duchota city. Come on dog, Heavenly Bastard, soy sauce and a long train journey. Continue ... With such slogans could be all the episodes from the life of Fenfang arrange. Like a puzzle.

And with the sun back into town, returned and music jam.
Rickie Lee Jones On Saturday Afternoons in 1963.

And please, for one two three, we look forward to the world.